/ / Fig. 2.0.04 | The Union with the Venom: The Slaying of the Dragon | Jun...
Fig. 2.0.04: The Union with the Venom: The Slaying of the Dragon (2013). Abstract circular alchemical artwork featuring a dark concentric spiral pattern centred around a black void.

A primary alchemical emblem and/or first-person record of the Great Work—demonstrating that the psyche reproduces the same cosmic, archetypal, and biological imagery across history.

EXPLORE THE FRAMEWORK:

Vol. I | Fig. 2.0.04

The Union with the Venom: The Slaying of the Dragon | Jun 2013

INWARD STONE: STAGE II — ALBEDO

NIGHT SOUL OVERVIEW

Completing the albedo phase requires a direct, high-velocity union with the most volatile, split-off toxicity of the deep shadow. Supported by an internal dialogue of lucid witnessing, this taboo integration intentionally absorbs the unconscious mind’s raw chaos, overloading the fragile ego’s facade until it finally collapses.


VISION [Witness Level 01: practitioner (p)]

The practitioner is observed within a quiet, contained interior environment, interacting with a young teenage boy who is well known to the self. A dangerous, unintegrated ‘inner psychotic’ is present, yet appears remarkably calm. The young boy states clearly that the calm appearance is merely a cover, an internal assessment with which the practitioner instantly agrees, whilst paradoxically experiencing a profound intensity to engage in a direct sexual encounter with the psychotic figure. 



ARCHIVE SYNTHESIS

Actualising the final thresholds of the albedo demands a direct integration of the raw, split-off toxicity of the deep shadow. By intentionally engaging in an intense sexual encounter with this entity in this advanced coniunctio, the internalised ‘psychotic’ current—the unrefined, primal energy of the unconscious psyche merges. In classical hermetics, this raw force represents the untamed prima materia, traditionally symbolised as a lethal, unintegrated dragon-poison.

Rather than maintaining defensive separation or trying to manage the chaos conceptually from a distance, localised awareness initiates an instinctual union with this frequency. The young boy mediates this transition, serving as the seat of self-aware internal dialogue. His precise diagnostic warning—instantly validated by the practitioner—signals the high degree of lucid witnessing that distinguishes this advanced albedo threshold from a blind nigredo collapse.

It is this high-velocity, taboo integration—which utilises the shadow’s own volatile nature as the ultimate medicine to heal deep internal splits—that instantly overloads and dismantles the old, fragile ego facade, causing it to collapse into the limp, rotting corpse discovered in the living quarters twenty-four hours later [Fig. 2.0.05: The Real Estate Exorcism].

ESSENTIAL MATURATION

The developmental bridge from human suffering to spiritual maturity.

HERO’S JOURNEY
 NIGHT SOUL TRANSIT TRANSFORMED RETURN
The Dragon Threshold: Navigating the deep, pre-verbal splits of the psyche confronts raw, chaotic shadow energy to reclaim original innocence, which lies entirely beyond these polarised positions. Advanced Coniunctio. A high-velocity, taboo union with the split-off toxicity of the deep shadow, utilising the dragon-poison as medicine to intentionally destroy the fragile persona facade.
 An advanced threshold of lucid witnessing establishes an uncompromised internal capacity to disidentify from these positions, providing the fearless wisdom and deep somatic resilience needed to bring the dark, unintegrated parts of the psyche into clear consciousness.
[ ALCHEMICAL EMBLEMATIC SYNTHESIS ]

An alchemical copperplate engraving depicting a traditional circular Ouroboros symbol featuring a winged dragon form coiled horizontally while actively devouring its own tail limits.

Figure VI: Draco Caudam Mordens from the 1625 Frankfurt edition of Nicholas Barnaud Delphinas’s The Book of Lambspring.

[CODEX III: THE BOOK OF LAMBSPRING // FIGURE VI]

FIGURE VI // The Ouroboros (Venom & Cure)
The winged dragon biting its own tail represents the ultimate paradox—the venom contains its own medicine. This maps flawlessly onto the dark concentric spiral of June 2013 (Union with the Venom // Slaying the Dragon), where confronting the inner psychopathic force acts as the direct, caustic catalyst that triggers the Real Estate Exorcism the next day, clearing the runway for the first massive vertical flight.
Figure V Figure VII
An alchemical copperplate engraving divided into three horizontal panels showing a man and woman using scales and knives at a laboratory table, sealing a glass retort inside a brick castle tower, and a lower panel featuring a Sun-headed man and a Moon-headed warrior holding hands on the open ground next to a furnace.

Plate 10 from the 1677 La Rochelle edition of the Mutus Liber.

[CODEX IV: MUTUS LIBER // PLATE 10]

PLATE 10 // The Scales and Knives (Tripartita House Purge Key)
The three distinct horizontal rows of intense laboratory labour mirror the ongoing hidden work. What follows in the archive is The Union with the Venom, in which the shadow dragon’s poison is converted into a cure. The middle row’s intense labour within the brickwork maps the deep cleaning of the inner psyche during The Real Estate Exorcism. Finally, the lower row’s Sun-headed King and Moon-Headed Warrior, with feet firmly planted on the ground, reflect the horses in The Procession of Sophie running on the earth before takeoff—the work of stabilising the physical form before its vertical flight into non-conceptual awareness.

Plate 9 Plate 11
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Clinical Disclaimer: This archive is intended for research and spiritual exploration only. It does not provide therapeutic services, and engaging with this material does not establish a client-therapist relationship. If you are in crisis or need immediate support, please contact emergency services or NHS 111.

Fig. 2.0.03 | The Androgynous Threshold | May 2013Fig. 2.0.03: The Androgynous Threshold (2013). Representing coagulatio and the coincidentia oppositorum, where feminine nurturing and masculine strength merge.Fig. 2.0.05: The Real Estate Exorcism: Leaving the Corpse (2013). A sketch of a limp, lifeless hand and forearm resting on a surface.Fig. 2.0.05 | The Real Estate Exorcism: Leaving the Corpse | Jun 2013